Rom-coms don’t get any wilder – or sweeter– than The Birdcage. When college student Val Goldman (Dan Futterman) reveals to his dad, Armand (Robin Williams), that he intends to marry Barbara Keeley (Calista Flockhart), all hell breaks loose. It’s not because Armand disapproves of Barbara – it’s because Barbara’s father, Kevin Keeley (Gene Hackman), is an ultra-conservative senator, Armand is gay and Val’s “mother” is Albert (Nathan Lane), a drag queen who can’t – and won’t – hide his authentic self. With Barbara’s parents set to arrive for dinner at their flamboyantly decorated Miami home, it’s a race against time for Armand to pretend to be as straight and conservative as possible long enough for Val to marry Barbara.
The Birdcage isn’t normally classified as a rom-com, but the main source of its laughs revolves around the romantic complications between two couples: Val and Barbara, and Armand and Albert. The latter pair get the majority of the spotlight, and thank the heavens for that. It’s no surprise that Williams and Lane are hysterical as the longtime couple who have to disguise who they are for their son. But what IS a surprise is how believable and deeply felt their relationship is in a mainstream movie made in the ‘90s, an era that still trafficked in gay stereotypes to elicit easy laughs. No one is laughed at in The Birdcage save for the clueless straights, the Keeleys, who can’t see what’s painfully obvious in front of them.